"To Live and Die in LA" is a legitimate masterpiece, one of three directed by Friedkin. Wang Chung's soundtrack is equally masterful. Both stand up to repeat viewing and listening 27 years later.
"Yeah my love is like the galaxy. It seems slow but it sure does shine. And when I'm gone you'll know me by the friends I leave behind."
"To Live and Die in LA" is a legitimate masterpiece, one of three directed by Friedkin. Wang Chung's soundtrack is equally masterful. Both stand up to repeat viewing and listening 27 years later.
Now that we have Thanksgiving gluttony and sloth out of the way, it's time to look back and reflect on the year in music. And it's been a very good year.
First up, I'll be listening to Pitchfork's Best Albums of 2012. The video playlist above includes a track from each artist's album below. I've also created a playlist on MOG which includes all but one of these albums.
I can tell I'm getting older, and less "hip," by the number of plays a YouTube video has by the time I finally see it. This one has 8,468,506.
Australia's Tame Impala hit the US festival circuit -- god, I love the fact that there IS a US festival circuit -- this past summer to promote the release of their highly-anticipated sophomore album, Lonerism.
I saw them at this year's Outside Lands Festival and was totally blown away. For sheer face-melting rock, Tame Impala outdid much bigger bands that weekend, including Metallica.
The YouTube video playlist above includes most of Tame Impala's set at this year's Lollapalooza, everything but "Solitude Is Bliss," and "Why Won't You Make Up Your Mind?"
If you're a fan, I recommend checking out Tame Impala's 2011 live performance at KEXP's studio while you're at it.
I'll be seeing Tame Impala at The Fillmore in San Francisco this week. Can't wait.
Bonus: here is New York City's PS22 covering "Feels Like We Only Go Backwards." Awesome. Thanks to Brooklyn Vegan for the tip.
I'll be seeing Joey, John and the rest of the collective tonight at the historic Fillmore in San Francisco. If the spirit moves me, perhaps I'll share my review afterward.
In the meantime, click here to listen to Calexico's setlist from a recent show.
The first video below, directed by Marc Ricciardelli, gives you some insight into Green's creative process and how he and his band recorded their latest album, "Little Hell."
The second video, posted on YouTube by camille93, is City and Colour's entire set at 2012 Bonnaroo.
If you're a fan of Ryan Adams, Jeff Buckley or Neil Young, as I am, I'm willing to bet you'll dig City and Colour, too. Check 'em out.
Here's an idea. Get your band in the van, mount a camcorder to the rear view mirror, sing some of your favorite covers and post the videos to the interwebs.
That's exactly what Nicki Bluhm and the Gramblers have done. This one is my favorite. You'll find others here.
Beastie Boys' MCA, aka Adam Yauch, passed away this morning after battling cancer since 2009.
I learned of Yauch's passing on Facebook, but knew his illness was serious when I read that he didn't attend the Beastie Boys induction into the Rock 'n Roll Hall of Fame earlier this year.
R.I.P. MCA. You'll be missed, but your legacy will endure.
Gil Kaufman writes for MTV ("Adam Yauch Of Beastie Boys Dead At 47"):
With his gravelly voice and laconic rapping style, Adam Yauch stood out in the [Beastie Boys], whose other members tended to have faster, more nasal flows. He formed the B-Boys in 1979 while still in high school as a hardcore punk band, but their sound progressed over the years until they emerged as one of the most successful rap groups in history. After getting signed to Def Jam in 1984 they released the smash Licensed to Ill, which included such hits as "(You Gotta) Fight For Your Right To Party," "Brass Monkey," "No Sleep Till Brooklyn" and "She's Crafty."
Their next album, the psychedelic 1988 release Paul's Boutique set a new high-water mark for the art of sampling and stands today as one of the finest examples of the art.
Like their label mates and friends in Run-DMC, the B-Boys excelled at seamlessly interweaving their vocals, trading off lines and verses at lightning speed. Amid the barrage of verbal gymnastics, though, Yauch's voice stood out for its world-weariness and unhurried cadence on tracks like "High Plains Drifter" and his tongue-twisting, double-time disco breaking showcase midway through the 12-minute Boutique epic, "B-Boy Bouillabaisse."
Though all three Boys emerged on the national scene with snotty, party hardy attitudes, it was Yauch who grew into the most centered and serious member of the group. In addition to playing bass, he also directed many of the group's videos under the pseudonym Nathaniel Hornblower. Rarely seen in public, Hornblower made a legendary appearance at the 1994 MTV Video Music Awards, bum rushing R.E.M. as his alter ego after they took the Best Direction award over Beastie pal Spike Jonze for his landmark work in their cop-show spoofing clip "Sabotage."
He was also instrumental in organizing a series of all-star concerts between 1996 and 2001 to raise awareness of the repression of the Tibetan people. The shows, which combined activism and music, featured sets from traditional Buddhist acts and speakers as well as the Red Hot Chili Peppers, Rage Against the Machine, De La Soul, Beck, Foo Fighters, U2, Radiohead, Dave Matthews Band, R.E.M. and Pearl Jam.
Yauch, a practicing Buddhist who revised some of his young and wild lyrics in concert later in life, went on to direct many more video for his band, as well as the kaleidoscopic 2006 Beasties live movie, "Awesome, I F---in' Shot That!" He also formed Oscilloscope Laboratories, a film company that distributed a number of documentaries and features, including "We Need To Talk About Kevin," "Dark Days," "Meek's Cutoff," "Beautiful Losers" and the Banksy doc "Exit Through the Gift Shop."
Don Cornelius, the smooth-voiced television host who brought black music and culture into America’s living rooms when he created the dance show “Soul Train,” was found dead at his home in Los Angeles early Wednesday in what appeared to be a suicide, the authorities said. He was 75.Thanks, Don, for turning me on to so much good music as a kid, music like this...
“Soul Train,” one of the longest-running syndicated shows in television history, played a critical role in spreading the music of black America to the world, offering wide exposure to musicians like James Brown, Aretha Franklin, Marvin Gaye and Michael Jackson in the 1970s and ’80s.
In its heyday, it was a formative experience every Saturday morning for young people of all backgrounds and afforded some of the most important soul and R&B acts their first national television exposure. It was also a platform for white rock musicians like Elton John and David Bowie to reach black audiences.
"One life is all we have to live, our love is all we have to give."
"I know that God lives in everybody's soulsIt's a sprawling, ambitious effort that takes on Western philosophy and Christianity, with Johnny Marr on lead guitar.
and the only devil in your world
lives in the human heart."
"Planet Earth is slowing down"Nakedself," the 2000 album from which the track below, "The Whisperers," came, feels like a continuation of the themes Matt explored in "Dusk."
Overseas, underground
Wherever you look around
Lord, take me by the hand
lead me through these desert sands
To the shores of a promised land.
You make me start when you look into my heart
And see me for who I really am.
If you can't change the world. Change yourself.
If you can't change the world. Change yourself.
NakedSelf once again finds Matt Johnson in his element, tackling issues of alienation, global corruption, and urban squalor and decay with potent, more succinct lyrics and some of his most affecting melodies in ages